1人到中年的口口卡（作者本人），喜歡說自己喜歡和年輕人在一起，但事實上他才不願意給年輕人鏡頭呢，他心裡說：再來的時候我拿棍子打你出去，調侃時會說別人的攝像機只是一個玩的東西；更多時候談及的是自己的回憶，他號召所有人脫下自己的褲子，當然這只是一個嚼頭；只有他被激怒了他才會批判別人，不然以和爲貴吧還是，他信誓旦旦地說，我年輕的時候也想找老虎打打！！！
an middle aged person(the writer) like to say being with youth.
but infact he doesnt want to camera to youth, he thought: I would beat you if you come again.
when people's chatting, camera is just a toy for fun, more for record memory, he ask people to take off pains of course just a joke, only he was anger he would criticize others, or being peacefully.he said frankly: I want to beat tiger when I was young.
2劇情簡介： 有位老師和我說：他喜歡瘋狂的紀錄片，那麼我覺得不錯，我來拍你試試。 我把鏡頭對準了剛剛獲獎的幾位紀錄片導演，我嘗試表達相反的意見「你的紀錄片不好！」那麼他們有什麼反應呢？ 紀錄片作者總是把鏡頭對準別人，那麼我來試一試把鏡頭對準他們自己，果然他們不喜歡。 我仿佛看到了我脆弱而又單純的雄性老年，但願能以此片隨時警醒我自己。
導演闡述：
A拍攝者只有有被拍攝的經歷才能了解攝像機的殘酷力量
所以對於拍攝者，被拍攝是第一課
B幻覺無處不在，藏在各處，藝術就是這種幻覺，
當我們明白讚美比批評更容易讓孩子進步這個規則時，我們已經變老、我們泛濫地利用這個法則，
你藏匿在你的中年朋友中、互相讚美，形成幻覺，不如說你也就此生活在幻覺中頒獎時刻、演講時刻、掌聲、做愛、憤怒、嚴肅而緊張，批判的不真實、名聲、榮譽、財富造成了大量幻覺，
我們藏匿在其中，不如說你也就此生活在幻覺中
讓我帶你們去有深度的地方，看看你是否迷失在有幻覺的深度上，還是根本就是膚淺的人。
C本片是在拍攝完成後才計劃製作的，之前沒有任何計劃
Director’s Statement:
1shooters know the cruet strenth of camera, only through being shooted.
so to shooters, being shooted is their first lesson.
2illusion in every where, art is that kind of illusion.
when we understood a principle that praise kids is better than critisize them for improving. we were getting old, we abuse this .
you hide in middle age friends, praise to each other and illusion come into being. so why should say we are living in illusion.
illusion of time of reward, time of speech, applaud, having sex, anger, tension, untrue criticize, fame, honor, fortune,we are in it, why cant say you are in it too.let me take you to a place, to see whether you lose your illusion or not, or you are just boring person
3no scripture before shooting.
1人到中年的口口卡（作者本人），喜歡說自己喜歡和年輕人在一起，但事實上他才不願意給年輕人鏡頭呢，他心裡說：再來的時候我拿棍子打你出去，調侃時會說別人的攝像機只是一個玩的東西；更多時候談及的是自己的回憶，他號召所有人脫下自己的褲子，當然這只是一個嚼頭；只有他被激怒了他才會批判別人，不然以和爲貴吧還是，他信誓旦旦地說，我年輕的時候也想找老虎打打！！！ an middle aged person(the writer) like to say being with youth. but infact he doesnt want to camera to youth, he thought: I would beat you if you come again. when people's chatting, camera is just a toy for fun, more for record memory, he ask people to take off pains of course just a joke, only he was anger he would criticize others, or being peacefully.he said frankly: I want to beat tiger when I was young. 2劇情簡介： 有位老師和我說：他喜歡瘋狂的紀錄片，那麼我覺得不錯，我來拍你試試。 我把鏡頭對準了剛剛獲獎的幾位紀錄片導演，我嘗試表達相反的意見「你的紀錄片不好！」那麼他們有什麼反應呢？ 紀錄片作者總是把鏡頭對準別人，那麼我來試一試把鏡頭對準他們自己，果然他們不喜歡。 我仿佛看到了我脆弱而又單純的雄性老年，但願能以此片隨時警醒我自己。 導演闡述： A拍攝者只有有被拍攝的經歷才能了解攝像機的殘酷力量 所以對於拍攝者，被拍攝是第一課 B幻覺無處不在，藏在各處，藝術就是這種幻覺， 當我們明白讚美比批評更容易讓孩子進步這個規則時，我們已經變老、我們泛濫地利用這個法則， 你藏匿在你的中年朋友中、互相讚美，形成幻覺，不如說你也就此生活在幻覺中頒獎時刻、演講時刻、掌聲、做愛、憤怒、嚴肅而緊張，批判的不真實、名聲、榮譽、財富造成了大量幻覺， 我們藏匿在其中，不如說你也就此生活在幻覺中 讓我帶你們去有深度的地方，看看你是否迷失在有幻覺的深度上，還是根本就是膚淺的人。 C本片是在拍攝完成後才計劃製作的，之前沒有任何計劃 Director’s Statement: 1shooters know the cruet strenth of camera, only through being shooted. so to shooters, being shooted is their first lesson. 2illusion in every where, art is that kind of illusion. when we understood a principle that praise kids is better than critisize them for improving. we were getting old, we abuse this . you hide in middle age friends, praise to each other and illusion come into being. so why should say we are living in illusion. illusion of time of reward, time of speech, applaud, having sex, anger, tension, untrue criticize, fame, honor, fortune,we are in it, why cant say you are in it too.let me take you to a place, to see whether you lose your illusion or not, or you are just boring person 3no scripture before shooting.